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18th Nov 2012 8:41am | By Editor
Hole drummer Patty Schemel lived through it all – drink, drugs and death – as new music documentary Hit So Hard reveals
Rock ‘n’ roll has had its fair share of casualties, not least the exclusive Club 27, including such famed and tortured souls as Jim Morrison and Jimi Hendrix, who both died three years shy of their 30th birthday.
Hole drummer Patty Schemel, who was part of one of the Nineties’ biggest bands at the epicentre of the alt-rock explosion, came within a breath of joining these ranks.
A new documentary, Hit So Hard, tells of how she brushed close to death but dodged its icy embrace to emerge as one of rock’s true survivors.
Schemel joined Courtney Love’s Hole in 1992, playing on their seminal Live Through This album, touring the world, and riding the roller coaster of success and excess that the band enjoyed.
This time, though, was also fraught with tragedy as overdoses and suicides gave rock ‘n’ roll’s customary decadence darker, more personal shades.
Schemel’s own demons threatened to take her the same way, as she went from touring the world, playing to hundreds of thousands of fans, to winding up a junkie on the streets.
Hit So Hard came about when Schemel contacted a filmmaker friend about old video footage she’d shot during the band’s ill-fated 1994 world tour, worried it would disintegrate.
“I hadn’t seen it in years and had forgotten most of it,” Schemel tells us. ”It was like a weird time machine going back to some of those days.”
This footage birthed the movie, a document of Schemel’s experiences, framed by the larger picture of Nirvana and alt-rock’s flannel-shirted global takeover.
Where Cobain’s crew, Pearl Jam and Soundgarden dominated the scene, Hole stood out – a female band (save for guitarist Eric Erlandson) with a feminist riposte to rock’s ‘men-only’ predominance.
“I saw a drummer play at school and thought it looked cool,” Schemel remembers of the initial lure of getting behind the kit.
“It was a physical thing, which suited me.
And it was an instrument that I didn’t see a lot of women playing, so I was just drawn to it.” Indeed, her striving to subvert the norm saw her feted on the cover of Drum World magazine in 1995, the first woman to be so celebrated.
Hole’s first album, Pretty On The Inside, had won them a small fanbase, but follow up Live Through This exploded. Yet their time at the top was not a happy one.
“It was a strange and skewed time because of the fact that Courtney was married to Kurt, which was something that had its own life, and we constantly had to battle against it,” Schemel says.
“There was never any balance between our music and Courtney. I never really thought the band would be successful or would get beyond her success as ‘the wife’.”
As the band’s fame grew, Courtney’s combustibility took centre stage, with Hole becoming notorious for their wild performances. Schemel’s initial dalliances with illegal substances began to run riot, too.
She’d had her first drink at 12, the first step on a predictable path, starting with one-off experiments, and growing through weekend-only dabbles and every other day indulgences, en route to becoming a full-on addict. Several attempts at rehab followed, but none took.
“There were a lot of times where I was in and out ofrehab,” Schemel explains.
“I’d get clean to go out on the road with the band and then go back [on the drugs] when we got back. There were interventions – Courtney even had a catered intervention one day. I showed up and there was tea and sandwiches!”
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