Interview Pete Murray
Are you in the UK already? because weren't you supposed to be playing at Boardmasters?Yeah, no I'm in the UK already... Read more...
9th Mar 2016 1:51pm | By Elizabeth Hotson
Brian Blessed has come to Islington, but with an Australian accent. That was my first and as it turned out, abiding impression of Mark Little as he loudly bowled around the tiny King’s Head Theatre. Although a lot of Brits will forever associate Little with Neighbours, the show’s programme omits to mention he graced the Ramsay Street set. Instead his work as a stage actor and comedian is highlighted. And fair play because what really made a good performance great was his commanding stage presence and immaculate comic timing. From blusteringly bombastic to oddly coquettish, Little played the part of Roy superbly. And he had to. This is an easy play to get wrong.
The central thread of the piece is pretty straightforward. It’s 1971 and the Vietnam War is going on. A just-out-of-university Lewis, (played by Paul-William Mawhinney) agrees to help stage a theatrical performance involving the patients of a Melbourne-based psychiatric hospital. The manic depressive Roy states that despite the patients having no singing experience and self-confessedly little aptitude, they should perform Mozart’s opera, Cosi Fan Tutte. Themes of love, relationships and fidelity pop up but the real essence of the play, or at least this performance, is the interaction of the patients with Lewis and each other. That’s where the joy and poignancy come from.
There’s potential for disaster with Louis Nowra’s work. The central difficulty is that it’s set in a psychiatric facility. It’s a comedy, yet it can’t be played for cheap giggles. Other than the odd sociopath, most people feel pretty uncomfortable laughing at mental illness. As the play unfolds you are given clues as to why each character is the way he or she is which helps to contextualise their foibles. From cat arsonist Doug to uptight ex lawyer Henry, there’s method in the madness. What could have been a cast of caricatured misfits is instead an ensemble of quirkily endearing, multidimensional individuals. The highlight was Mark Little but the entire company did a great job and deserved the ovation they got at the end. The opera Cosi Fan Tutte is also running at the King’s Head and if it’s as good as the play, it’s well worth a look.
The King’s Head Pub Theatre,Islington, Until April 2nd
Tickets: £10-£25
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